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May 20, 2008


david lewis

I tried reading this book and got about halfway through it. I liked the first part about teh secret agent. It was like a spy novel and full of suspense. I thought the modernist parts were too confusing and didn't add anything to the story . Serge was trying to avoid writing like other Soviet writers, but he couldn't write like Joyce.

Richard Prouty

I'm all for putting down a novel that doesn't work for you, but in this case you should read to the end. Like a lot of modernist works, it makes more sense as a whole than it does in parts. The shifts in points of view and style are confusing at first, but you get used to them, or I did, and they have a pattern. This is a terrific novel from a writer who fell through the cracks even during his lifetime.

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What Is One-Way Street?

One-Way Street [Einbahnstrasse, 1928] was Walter Benjamin's first effort to break out of the narrow confines of the academy and apply the techniques of literary studies to life as it is currently lived. For Benjamin criticism encompasses the ordinary objects of life, the literary texts of the time, films in current release, and the fleeting concerns of the public sphere. Following Benjamin's lead, this blog is concerned with the political content of the aesthetic and representations of the political in the media. As Benjamin writes in One-Way Street, "He who cannot take sides should keep silent."

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