« Fun Friday: Looking for Surreal Babies in the Paris Arcades Edition | Main | Here Come the Landscape Urbanists »

January 31, 2011

Comments

intheblanks

I had no idea this was in the works; thank you for posting on it. Also, I believe it's "Azita Youseffi," not "Roussef"

Richard Prouty

Yes, it's a really interesting project, great for both local music and local film production.

Thanks for the correction of Azita Youseffi's name. I have to admit I'd never heard of her before.

There are also some other corrections. I have to take more legible notes.

Judy Prouty

How is it that you interviewed / met with Kênya Zanatta?

Richard Prouty

She was nice enough to buy me a cup of coffee at Bittersweet, a cafe bakery on near the Belmont El stop. Her reasons for initially contacting me say a lot about the director's visual style: she was looking for archival footage of street scenes in Chicago, especially those with a lot of movement. The only film that came immediately to mind was James Benning's "11 x 1," which is a continual tracking shot from inside the Evanston Express train heading north. It covers the entire route. Not surprisingly, it's hard to find in intact form.

poker

This is such a great idea, it will help the local music and local film projects..

The comments to this entry are closed.

What Is One-Way Street?

One-Way Street [Einbahnstrasse, 1928] was Walter Benjamin's first effort to break out of the narrow confines of the academy and apply the techniques of literary studies to life as it is currently lived. For Benjamin criticism encompasses the ordinary objects of life, the literary texts of the time, films in current release, and the fleeting concerns of the public sphere. Following Benjamin's lead, this blog is concerned with the political content of the aesthetic and representations of the political in the media. As Benjamin writes in One-Way Street, "He who cannot take sides should keep silent."

Blog powered by Typepad